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"The most perfectly balanced and in-tune mouthpieces ever made!" $125.00 each Add to CART Shipping for any quantity - USA: $7.00 Canada: $12 All other destinations: $25.00
Superchops 3 ~
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| For more information, please contact Jerome Callet: | |
| (718)-477-5803 USA | |
| trumpet@i-2000.com |
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Unlike trumpet shanks, there is no single standard for the taper of
flugelhorn shanks. To determine the shank required by your flugelhorn carefully
measure the outside diameter (OD) of the shank of your current mouthpiece at the
"set point", the spot the shank stops in the receiver (see pic on right).
Frequently referred to as the "standard taper" or large Morse taper, all Yamaha-sized shanks are 9.6mm OD at the set point and 3.360" OD at exit point. This shank fits Yamaha, Getzen, Callet, Stomvi, Benge, King, Blessing, Conn Vintage One, Weril, Holton, Schilke, older Kanstul 1525 flugelhorns, and most other American flugelhorns except Bach.
Based around the small Morse taper, the Bach-sized shank is 9.3mm OD at set point and 3.355" OD at exit point. It fits Bach, Courtois, LeBlanc (including Sandoval), B&S, and some other European brands, plus Kanstul models 725, 1025, and newer 1525. Most flugelhorns designed for a Bach taper will also take a standard Yamaha shank; it will just stick out of the receiver approximately 8mm further. For proper use, look for engagement of at least 2cm.
A non-tapered French-sized shank fits Couesnon, some other European brands, Flip Oakes, Kanstul CCF 925, plus original French Besson flugelhorns. Special order only.
The German-sized shank measures 10mm at the set point. Special order only.
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History notes ~
Unlike most mouthpieces, the Superchops series is offered only in fully balanced designs. To make a superior mouthpiece each part - rim, cup, throat, and backbore - must be critically matched. Otherwise, tone, endurance, range, and most significantly, intonation will suffer. To accomplish this difficult task requires superior chops and an extremely musical ear. With more than 5,000 previous mouthpiece designs to his credit, Mr. Callet has succeeded in taking mouthpieces to an entirely new level - Superchops.
For obvious reasons, the first official Superchops mouthpiece was named the SC1. It had a moderately sharp rim similar to the Weril mouthpiece Mr. Callet was using at the time. The SC1 had a medium-shallow cup, 27 throat, and Jerry's time tested #4 backbore. Shortly after, Jerry ran across an original Dominick Calicchio mouthpiece with an extremely comfortable rim and superb sounding medium-shallow double cup. This rim and cup, combined with a 27 throat and #4 backbore was named the SC2 and quickly became a top seller. However, feedback from top players in Las Vegas convinced Jerry to try the SC2 with a 29 throat. The first samples of this mouthpiece were still called SC2, but had a 29 imprinted on the shank. The extreme richness of sound, superb intonation, and great ease of play promptly made this new mouthpiece the standard in the Superchops line. To more clearly differentiate it from the SC2-29, it was officially renamed the SC3. The SC4, essentially an SC3 with a wider cup, was introduced in order to ease the transition to the more efficient and much more in-tune Superchops mouthpieces for players used to extra wide cups like the Bach 3 and Bach 1 1/2. The SC6, SC3s, 1*, and 1*s (described above) were introduced in consecutive order to help players fine tune their playing to an ever finer degree. Along the way, numerous other designs were heavily tested, but to date, none have reached the high standards set by the SC3. Therefore, they have not made their way into the standard lineup. We'll update this page as more pro-proven designs are added to the Superchops line.
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